On Sequels And Remakes

Sometimes lighting strikes and a gem like Lethal Weapon 2 or the second Spiderman squeaks on through but it seems that a lot aaa car insurance quote the sequels out there quite simply suck. I can deal with films that don't quite meet the expectations made by their predecessor as long as they at least try to make good, but every once Jonny Quest a while Batman and Robin comes along.

There are certain films that, Funky Phantom I see them, I wish they were shot in digital so that it would be easier to delete the master copy with a simple click rather than having to lug heavy metal cans full of film outside to the nearest dumpster; a task that would require more effort than was put into the making of the film. Even the people who made Ocean's 12 didn't like Ocean's 12, so much so that they stated as much and made up for that romp into movie magic blasphemy by making another.

I fully understand that Hollywood is big business and that a lot of film decisions are based on dollars and cents but it is difficult to find any kind of consolation in that when Die Hard 4 perverts a character that was once so much fun to watch. In a perfect world I would think that selling structured settlements impressive box office return would inspire the creators of whatever returned such a wondrous profit to run back to their box or office or wherever they go to think up their 12 point Courier magic and pound out a same but different script that rivals the greatness of its predecessor.

It seems that the sequels that work the best are the ones that are based on source material that is equally great. The Bourne movies have quite arguably gotten better, all three Lord of the Rings films seem to be regarded and made with the same amount of love and none of the Harry Potter films are downright hated by fans of such things. Perhaps it is an issue of love. Love had by the filmmaker or writer for the subject. Bobby Z's and Gale's fascination with time travel seems to come alive in the those movies about the car and Singer's appreciation for what he was working with really seemed to make a difference in the second mutant movie.

Sometimes love isn't enough. In these times of remakes I find myself walking passed the empty cases of films in the new Equity loan section that feature titles that should only be in the oldies. Why remake films that were good to begin with? Isn't the whole idea of remaking something to make the new better than the old? I've never met anyone who has knocked down an old but well built and still in good shape house and erected a straw hut in its place. In this case I refuse to believe it is always simply a matter of how many dimes can be pilled up on the desktop of a real life Uncle Scrooge. Not when people like Tim Burton, who never started off trying to make pulp blockbuster watch-it-and-forget-it summer flicks, goes after a classic like Willy Wonka and turns it into, well, what it turned out to be.

Show me the money? No sir. Show me the love!!!

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